Thin shaft of wood that forms part of the spindlef for spinning and that for plaiting, it is inserted in the disc so as to achieve the counterweight required during spinning. Its size varies according to the thickness of yarn required.
Idea associated with the origins of textiles, that the woman, in weaving, is creating within the fabric a baby of her own group from the remains (especially the trophy head) of an enemy.
Idea associated with the origins of textiles, that the woman, in weaving, is creating within the fabric a baby of her own group from the remains (especially the trophy head) of an enemy.
Organisational form involved in the production and commercial distribution of textiles made up of the members of an institutional agency linked to the State, often directed toward commercial profit.
Organisational form involved in the production and commercial distribution of textiles made up of the members of an institutional agency linked to the State, often directed toward commercial profit.
Women's underclothing, like a skirt with tow extensions on the upper part used to attach it to the waist, it is won under the skirt and is of the same length.
Idea associated with the origins of textiles, that woman, in weaving, is creating within the fabric a baby of her own group embodied in the parts of the enemy taken in war, especially the trophy head.
Fabric made with twining or interlacing technique, made without a loom, out of a single piece, in a system of interrealtions to produce a determinate genre or kind.
Process by which plaited thread is produced as raw material for textile production, turning it into skeins or hanks with the hands or with an instrument designed for this purpose.
Subclass of figurative motif of a single motif identified as a natural space organised and modified by man. It includes the square field, the crate-hut with lines and hooks, hexagon-hut with segments, hill and serrated outline. The motifs of the economic and geographical context are usually elaborated in techniques of odd count.
Refers to the importance of wrapping things in fabric as an act for identifying, creating and socialising people within the family or community group (an ayllu for example).
Organisational hierarchy of textile production composed of networks of actors grouped according to function, from the communal level to the municipal, departmental, state and global levels.
Part of the equipment associatd with the loom, the spatulas made out of wood or bone are used in making warp and weft faced textiles, although their forms are somewhat different. Used particularly to press the passes of the weft.
Spatula used in the making of warp face, especially for double weave; it has a form curved at the edges, giving an ovoid form but flat overall pointed at either end.
Weaving instrument generally made out of wood, flat and with a point at one end, used to compact the cloth as it is being woven. The spatula is attached by the end opposite the point which can be decorated, being introduced edgewise between the two groups of warp threads. In this position, the weaver presses on the pass of the previous weft and in general on the textile structure already made.
Spatula used in making warp face, especially for double weave, it usually is pointed at both ends. On the other hand, for application to tapiz the points are less sharp.
Wooden or metal pole sharpened at one end, approximately 40 cm long and 4 cm in diameter, four of which are driven into the ground to make up a rectangle to support the upper and lower crossbeams of a horizontal loom, which are attached to the stakes with thin ropes made out of camelid wool.
Square or rectangular pieces of cloth of approximately 20x20 cm, with two handles which were attached to the horizontal pole of a cross-like structure, the vertical pole having a markedly greater length, possibly used to identify the dead amongst those that had been buried.