Rectilinear warp faced technique with reselection of warp threads singly or one by one, and with these threads being counted by threes 3|3, forming the base of the one by one reselection.
Rectilinear warp faced technique with reselection of warp threads singly or one by one, and with these threads being counted by threes 3|3, forming the base of the one by one reselection, and with the use of a single weft.
Rectilinear warp faced technique with reselection of warp threads singly or one by one, and with these threads being counted by threes 3|3, forming the base of the one by one reselection, and with the use of two wefts to give two clear faces to the cloth.
Technique for selecting and counting, especially the warp threads in in warp face in the selected techniques (floating threads) and reselected ones (supplementary threads).
Method of selecting the warp threads on the horizontal axis of the loom according to a system of counting threads: this is specifically related to the composition or figurative part of the textile. The textile technique derives from the possibilities given by the previous form of warping the loom: in warp face, for example the technique can be by basic odd (in 1|1), derived odd (in 1|2), or according to an even system (2|2), or in more complex techniques, (of 4, 8, 1, 2), etc.
Non rectilinear warp face technique for elaborating braid or lace, only set up on a simple pole loom and then elaborated by hand from interacting elements. It has technques of elaboration of turning to the left and to turing to the right and layer manipulation. It has simple techniques with few warp threads and colours, and complex techniques with more warp threads and three or more colours.
Non-rectilinear warp faced technique in which the warp threads are manipulated on the horizontal axis, moving them away row by row and then joining them again to produce simple figures of rhomboids or zigzags. This technique is common in bags from the Middle Horizon onwards.
Non-rectilinear warp faced technique in which the warp threads are manipulated on the horizontal axis in quantity moving them away row by row and then joining them again to produce simple figures of rhomboids or zigzags.
Non-rectilinear warp face technique in which the warp threads are manipulated on the horizontal axis one by one, moving them away row by row and then joining them again to rpoduce simple figures of rhomboids or zigzags. This technique is common in bags from the Middle Horizon onwards.
Non-rectilinear warp faced technique in which the crossed warp threads are manipulated on the horizontal axis in quantity and then with multiple interlaced wefts. This technique was used to elaborate the huinchas of the Wari Kayan necropolis and others in Paracas. Occasionally it is known as 'oblique interlacing'. It can be elaborated on a simple loom with a fixed pole for the warp turns and the other end attached to the waist. The loom has a single heddle and can be elaborated tying the warp threads with a rope that is held in place by the big toe.
Non-rectilinear warp face technique in which the crossed warp threads are manipulated on the horizontal axis and then with multiple interlaced wefts. It can be elaborated on a simple loom with a fixed pole for the warp turns and the other end attached to the waist. The loom has a single heddle.
Knotting technique elaborated without a loom, from interknotted elements. Interknotting techniques are also called macramé, a term of Arabic origin that means fringes, especially a fringe of knotted threads. By extension, the term macramé refers to any structure with a set of elements without differentiation, that are worked through knotting.
Technique which refers to the simplest form of interlacing the warp with the weft in a plain weave. This can be varied by modifying the spacing, flexibility and the thickness of the warp and weft threads, or by grouping these elements in new units, without varying the simple alternation that defines the plain weave. Tese variants include warp face, when the spacing of the warp threads predominates over those of the weft, and weft face, when the spacing of the weft threads predominates over those of the warp. It also includes the variants of taffeta, linen, etc.
In warp face, method of producing a speckled effect through structure and counting, for example in a warp structure of 1 or 2, when the warp threads of two highly contrasting colours are intercalated in a count of 2|1.
In warp face method of producing a speckled effect by manipulating the warp threads, when these are composed of strands of two or more contrasting colours.
Method of producing an 'irridescent' or 'dove breast' effect, with a warp structure of 1, and the use of warp threads of one colour and weft threads of another contrasting colour.
Simple rectilinear warp face technique with a warp structure of 1 and a pattern of narrow coloured fringes, and in which a single weft is used in its elaboration.
Rectilinear warp faced technique in which two levels or layers of the warp are woven simultaneously, without applying counting techniques of selection and reselection.
Rectilinear warp faced technique in which two levels or layers of the warp are woven simultaneously, without applying counting techniques of selection and reselection. This complex variant is elaborated with a textile structure of three to eight layers, and with a single weft. It usually has a single clear face on the cloth.
Rectilinear warp faced technique in which two levels or layers of the warp are woven simultaneously, without applying counting techniques of selection and reselection. This complex variant is elaborated with a textile structure of 3 to 8 layers and with one wrapping weft.
Rectilinear warp faced technique in which two levels or layers of the warp are woven simultaneously, without applying counting techniques of selection and reselection. This complex variant is elaborated with a textile structure of 3 to 8 layers, and with two wefts so as to create two clear faces in the cloth.
Rectilinear warp faced technique in which two levels or layers of the warp are woven simultaneously, without applying counting techniques of selection and reselection. This simple variant is elaborated with a textile structure of only two warps, and with a single weft.
Rectilinear warp faced technique in which two levels or layers of the warp are woven simultaneously, without applying counting techniques of selection and reselection. This simple variant is elaborated with a textile structure of only two warps and a single wrapping weft.
